Monday, 24 June 2019

Vincent Marie | No Control


Vincent Marie is not Vincent and Marie who are the Tricots and who I wrote about here but a gentle riot.
No compromise ni control, makes snapped guitar-string wines that crawl out of mosh pits bleeding magma and two black eyes in Volvic chai painted millennial conch shell pink.

— Visit 1 April 2019. Volvic, Auvergne

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Tuesday, 11 June 2019

Charles Dufour


Charles is energy to the power of 7: Epicure, Enthusiast, quietly cultivating vines and transmuting their spirit into wines that sun on ocean-ripples dance and shimmer as opposed to sun on fresh-waxed Maserati b*l*i*n*g from which you shield your eyes. Here, can I offer you another rice cracker? A cold shower? A perpetual reserve of forest asparagus we foraged together then turned into a salad we’ll blend with veg and seeds and other things and eat for the next three days? Welcome to Landreville, an alternative Champagne. 

What more can I say than most days being mostly lunch with crunch? On the Only Living Boy in Champagne I have: Inherited responsibility, buh-bye biodynamics cus 'I don't want to wake up so early’, no more single-parcel cuvées, pale hands blue pick-up big time generosity and a legally grey-area orange spritz. Further on our visit there's Aux Crueyrs de Vin, a Troyes institution, a '09 Puzelat, Julien Guillot's '17 Cuvée 910 drunk fast and blind which made all three of us scratch our heads and sing; an andouillette initiation, a pintade prince and a standout Coteaux Champenois star-fire wine (capers, sandalwood, Arizona desert dust) on fiercely pithy skins. Then there was more fowl for lunch and a '98 to end but before all this the once in a lifetime time I can say a Le Carton wine was drunk in Champagne (!) ditto that I took an unsupervised spin (!!) on a Soviet octopus mission to Mars vine sprayer and in conclusion bear with my five word monologue by way of answer to your question, 'But tell me, how did you find Champagne?'

Charles: disgorges my birth year. 
Me: Can we drink something red soon? 


— Visit 6-10 June 2019. Landreville, Champagne




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Wednesday, 5 June 2019

Harvest 2018: Aurélien Lefort


The 
only
good
system
is
a
(very good)

— Auvergne, 14 October 2 0 1 8



 







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Friday, 19 April 2019

Jan van Roekel




Jan or Jean nobody knows and nobody cares, it is what it is which I'll tell you is one hell of an explosive glacial melon pét nat of the finest china bubbles in Johnson’s² baby powder pink. What else? Well, what has always been is that Jan plays hard for the Jura team, believes in hip hop and that a better life is possible in France. One of the only Amsterdammers who doesn’t bike, the only one to visit us here twice and the person to look at my grapes and say “press” so the next day I did (thanks Jan). Furthermore director of tours from the swamplands North to Bojo's bastard salon Bojalien where, chez Romain, he’s been making Gamay since 15 in his cult-merch hoody softly beseeching #free(Olivier)cousin and is no joke big in Japan.

— Jan visited 11 April. Alba-la-Romaine, Ardèche

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Monday, 15 April 2019

Catherine Dumora and Manuel Duveau


"Barrel wine is for the head", Manuel Duveau said,
and we’re in the biz. of firework spritzers and volcanic elixirs and getting mescaline crazed butterflies dancing in bellies.

— Visit 1 April 2019. Blanzat, Auvergne.


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Thursday, 11 April 2019

Aurélien Lefort


There are two things I want to say about Aurélien Lefort and here they are in no particular order.

The first concerns his labels, each as if drawn by a genius doodling fine-lined the unwinding of the labyrinth of the mind in paper margins with spacecraft precision its runaway monsters and underground suns. Hieronymous Bosch sky burials event horizon heavy falcon full engines blast through black hole energy. Insane messages scratched out by ravaged wingtip with ketamine clarity, NDE-lucidity. Francis Bacon rib cages and dino-boned claws arranged methodically, algebraically, madly; urgent warnings left in black quill tip hint at the wine's liquid intensity. Cryptic script left by those before the known cosmic order in machine language and jester diamonds, traces of minotaur mazes filled with frightened winged things captured in scratchy lithograph Expressionist madness and the second thing is: his sound system is amazing.


— Visit April 2 2019. Madriat, Auvergne.

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Tuesday, 9 April 2019

Vincent Tricot


Vincent is a Sunday afternoon beaten Creuset cooking all day slow on a Saturday quiet kitchen deep eyes heavy lidded talking slow like a metronome tick tick about the different Gamays. Silver stubbled old western smoking steady radio voice tones invites us post tasting 18s in late sun gilded cellar after pickup truck safari tour of sandy Auvernat hilltop soiled parcels of old and also newly planted vines to stay and drink at kitchen table cracking almonds and later eat risotto with François Dhumes and Francien their friends and neighbours for dinner. All we did otherwise today is eat lunch: six oysters with London beer and a Mediterranean rosé (Castex) with a breadcrumbed cassoulet and a liver nourishing broth that's pot au feu in French and afterwards I fell asleep in the back of the car.

— Visit 30 March 2019. Orcet, Auvergne



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Friday, 5 April 2019

François Dhumes



Last year here they say a lack of Nitrogen means the wine’s lazy the day today March 31 twothousandnineteen spring and warm and sunny us music on in plastic small-trunked Jeep driving out of Clermont Ferrand city and what’s better all Sunday doing nothing ‘til at five drinking weeks to months-long cold carbo charged wines colour of dark stain-glass violets with taste hints of local basalt volcan-icty and different fibreglass personalities in a three years-new cellar downstairs before dinner dipping Saturday-dry bread sliced thin in juice of whole house smells like golden-crisp chicken? Dipping fries young-faced, doe-eyed François (Dhumes) triple-fried hot and salty with a bar of torn foiled dark chocolate, Spain’s first strawberries and effervescent Gamay d’Auvergne rosé flicking through folder of ancient local paper cut-outs of now older Auvernat gods in the kitchen with new friends fresh escaped from two weeks extra pruning in a pink-hued, otherwise stifling Beaujolais for dessert.

— Visit 31 March 2019. Orcet, Auvergne

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Thursday, 15 November 2018

10 November


It’s been a long while since I wrote and with so much happening in between where to start? so you don’t or you start with what is true now so I will write about living in a cloud. 10 November 2018 and the Ardèche is sink-sponge yellow-green shaggy grey skies and sodden. The vines cling to their leaves shades of neon with gold skeletons their grapes two months-long gone into juice now quiet the last of the garden's green tomatoes fridge-top in jars next to the cooking spoons oh, and I brined olives today. Life is in muted sage green mist mottled with tones of brass door handles, burnt quince and ochre shades of corduroy, brushing off lazy flies and baguette-bending humidity, there was to my dismay no goat milk yoghurt thick as walls at the market today I'm told no more until spring and the mushrooms we picked were orange and poisonous but: quince! Meaty spice orbs turned slabs of fridge-cold jelly and an illicit harvest of hand polished chestnuts means they are brown in their basket with the walnuts on the windowsill while beyond I see a calico cat landscape of quilted army fatigue olive sheen, winter tomato ghostly greens copper pots fading into sad soup brown plus blush of rose gold pear and like I said, sodden. 


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Monday, 14 May 2018

Hashtag unicorn wines

I’m sitting here in the sun one week into a six month unpaid internship in the vines thinking about some of the things money can’t buy. I’ve got: fulfilment, the Italian home-cooked lunches I enjoy double portions everyday, a sequel to Brideshead Revisited and unicorn wines.
What’s a unicorn wine? Whatever the super-somm says. For the rest of us, #unicornwines, like Pokemon, are a human construct. Despite thousands of mentions on Instagram (3,095 at the time of writing), they don’t exist. Unlike Pokemon, they’re so rare you’re never gonna catch ’em all. Elusive if not extinct, their mythical unobtainability makes them the ultimate big game for today’s trophy hunters. They’re so late stage you can’t even throw money at them. And in a world where beef-heart tomatoes from the farmer’s market cost more than beef burgers, Apple doesn’t have to pay taxes and €100+ yoga mats and eight dollar slices of toast are just some of our everyday realities: that’s the thrill.
Not that conspicuous consumption – from the 17th Century tulip mania to my spending much of the 90s bored in the back seat as my parents trawled antique stores hunting antique decoy ducks – is anything new. Nor ever in good taste. But it’s reached a new low now that we can instantly take credit for everything we do or drink (or worse, haven’t) whenever we have 3G.
Social media has created a bottle oligarchy while winemakers work like monks. It allows anyone with the means (and followers) to spend the workweek in bars and restaurants claiming kudos for someone else’s achievements. It’s a stage on which to showboat by association, to transubstantiate liquid into likes. What you drink is how cool you are and extra points if the winemaker’s deceased.
With all the noise we think we have to generate in order to be noticed, it shouldn’t be a surprise that a snapshot of a 2011 Pierre Overnoy speaks louder than the thousands of words the man himself has to say about his craft. But in worshipping what speaks loudest, the super hip and the ultra rare, we’re building alters to the wrong gods. We’re missing the point.
If only our pursuit of the world’s most un-pursuable wines translated to genuine concern, appreciation or sophistication and not just “HEY GUYS LOOK @ ME”. If only we did more questioning than scrolling, double-tapping and following. Did more quiet, un-recorded drinking. Permission to drink alone if this gives you the stillness to remember that before our icons were icons, they were pioneers. That they worked for what they believed in and that the real reason your last post ‘broke the internet’ should be because they succeeded against all the odds, not because you have an allocation. If drinking wine was less about show and tell than enjoying, we’d care more about the wines we drink every day than those we most likely never will. And if it was less about hype then it could be more about a wine’s true value; about the heart, patience, skill, soul and sweat that a human — not a hashtag — put in to create it.

Written for and originally published on The Morning Claret

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Thursday, 3 May 2018

MAGS, BAGS, MAC 'N' CHEESE / VINO BRUTALO (+some Italo)



Hotel de Goudfazant, 19 March 2018

or,

'The time we drank 35+ litres of wine on donation on a Monday.'

Needed something to wash down the mac+cheese.





























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